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Late 1940's watercolor pen drawing by Larry Austin of a decorative
necklace designed
by Frank Hess.
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Miriam
Haskell creativita e passione (reprinted with permission from
ORNAMENTA 6/97)
Costume jewellery for the woman on the street and not imitation real
jewellery that was so fashionable in the States during the thirties. A style that made
Miriam Haskell one of the greatest and most successful producers of fantasy
bijoux.
When anyone talks about American costume jewellery, the immediate image that
flashes in your mind is that fashion for false jewellery launched by the
Hollywood stars. But among the extraordinary producers of costume jewellery
during the American Depression there were designers that followed other sources
of inspiration like Miriam Haskell, who first launched pieces inspired by
popular traditions.
Some of her work in seed pearls remind us of popular
jewellery from the south of Italy in the eighteen hundreds, with burnished
metalwork and tiny, irregular pearls, while the pieces in coral spheres take us
back to ornaments from Trapani. Her costume jewellery also stands out for its
workmanship. The decorative pieces were assembled or inserted by hand on a metal
or plastic filigree base. It was a style that Haskell managed to express in
perfect synchrony with the designers she worked with and when she left the company
the creative department continued their work in the same spirit.
We are including a Miriam Haskell collection of pieces created between 1930 and 1980.
The
photographs are from a book on Miriam Haskell’s jewellery by Deanna Farneti
Cera, published by Idea Books.
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Miriam Haskell
Jewellery Photo Gallery
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Gilt filigree metal, paste and imitation pearl necklace, Frank Hess, late
thirties.
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Matching necklace with pendent and brooch. Semi-spherical shapes and
glass interspaces, silvery metals, roses pontees and a central cut crystal drop,
Frank Hess,
late 1940's.
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Gilt metal brooch in the form of a spray set with tiny beads and round,
flattened imitation pearls, Frank Hess, late 1950's
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Below
Imitation pearl and strass bangle with glass bead imitation coral
and metal filigree with roses
montees, Frank Hess, late 1930's. |
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Bangle with glass beads, gilt metal motifs and oblong stones in cut
glass, Frank Hess, 1940
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Bracelet
embellished with filigree, pearls and stones Frank Hess, 1950.
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Cluster shaped clip with glass pastes hanging from gilt metal chains,
Frank Hess, 1940.
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Earring set with imitation seed pearls and
multicolored glass beads,
Frank Hess, 1950's
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Below
fake pearl necklace with glass paste leaves designed by Hess
in the late 1930's.
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Choker with
multiple thin layers of pine-cones, glass paste spheres, boules and metal
findings, Frank Hess, 1941.
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A complex
threaded Baroque pearl necklace with oval cut crystals, yellow paste
spheres, Frank Hess, 1957.
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Guyot Brothers
had the privilege of working with Miriam Haskell with whom we developed these
two classic ornamental findings, both still in production today.
 
To learn
more about Miriam Haskell or her talented designer Frank Hess, continue your
search here....
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